poets

“The function of art is to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it.”—Anaïs Nin

“You can’t make art with business in mind. You have to make art first.”—Jay-Z

“The artist should never try to be popular. Rather the public should be more artistic.”—Oscar Wilde

“Any healthy man can go without food for two days—but not without poetry.”—Charles Baudelaire

A Conversation With John Trigonis, Sharing His View
of the World on the Page and the Screen

As a poet, John Trigonis sprinkles words on the page that produce a sensory response from anyone lucky enough to read them—in a chapbook, on a Web site, in a literary magazine. Though still mysterious and provocative, his poems are filmic scenes from some bigger, larger life. Confessional and observational, his narrators share what they see and how they see it. Like all poetry worth reading, an honesty is palpable, and without knowing it we’re swept up in some kind of quest to discover, or uncover, some kind of truth. His work has been widely published in the U.S. and U.K., and Trigonis has also published six chapbooks of his poetry.

As a filmmaker, John Trigonis creates poetry in motion. Even when quirky and off-beat, his short films seem to naturally explore some facet of the human condition, searching with stories and characters for some kind of light. Trigonis, 32, wrote his first screenplay—a feature-length film—back in 2001, which led to writing and directing five more films (as well as directing another two). His credits also include work as actor, cinematographer, and producer, along with directing and acting for the stage.

And we, readers and viewers, benefit from the fact that the poet and filmmaker are one, both of those divergent creative crafts influencing each other in subtle ways. So whether with a collection of poems or a short film, Trigonis will make you think and feel.

Trigonis, a “freelance” professor at universities throughout New Jersey, epitomizes the indie spirit of 21st century and exemplifies the DIY movement, embracing the possibilities afforded artists during this era of social media and affordable technology. He’s even pursued a fairly revolutionary method of funding his latest project. In addition to using his own money, Trigonis turned to IndieGoGo, pitching fans and complete strangers on the incentives of funding the film (perhaps a producer credit will entice you, along with several other perks). He has already reached his goal, raising $5,595 in relatively short order.

Today, thanks to all those who contributed (from small amounts to larger donations), Trigonis—along with cast and crew—starts production of his latest vision, Cerise, a short film about a former spelling bee champion who is haunted, 20 years later, by the word that took him down. Production will continue through the week, and you can follow the filming process this week by visiting Cerise on Facebook and Vimeo for constant status updates, pics and vlogs.

Trigonis recently took time from a busy schedule of rewriting scripts, holding auditions, scouting locations, and making other preparations to discuss a wide range of topics—from his artistic roots and creative process to his DIY nature and the future of “crowdfunding”—with The Madness Of Art. Read more…

“There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.”—Émile Zola

I first discovered René Hugo Arceo‘s El Poeta while browsing Etsy and finding The Serie Project’s shop. I marked it as a favorite, knowing I would soon return to make the purchase when financial circumstances permitted. Soon, however, turned into many months—not necessarily due to a lack of funds but simply because I forgot about it. Eventually I rediscovered El Poeta (scrolling through my “Favorites” one day) and finally bought the limited-edition print, which is now framed and hanging in my library.

Originally from Michoacán, Mexico, René Arceo’s body of work is remarkably diverse, spanning a broad spectrum of styles, subject matter, and media—from a whimsical figure with colorful acrylics on paper to an abstract watercolor on canvas. But this Chicago-based artist makes the most memorable impression through printmaking. In his brilliant linocut prints, Arceo blends hints of surrealism with various influences—from his Mexican roots to the students he teaches at Chicago public schools—to form his distinct brand of contemporary folk art.

With El Poeta, Arceo celebrates the importance of the poet and honors the power of the pen. As a writer, the subject of the work immediately resonated with me, and the bright, vibrant colors and fantastical scene only enhanced its appeal. As the Etsy description states,

El Poeta is a fantastic figure; he is a creator deep in thought and surrounded by his muses and characters he can bring to life with the power of his words. Like a plant, the poet is a vivid green and through him there is potential for growth, hope and new life….As an artist, Arceo feels a kinship with the poet, who also has the power to create worlds.

El Poeta is part of Serie XV, 2007-2008, celebrating The Serie Project‘s 15th anniversary. Based in Austin, Tex., The Serie Project is a Latino-oriented nonprofit program dedicated to producing and promoting fine art serigraphs. Each limited-edition print (50 in this case of El Poeta) is a unique creation, not simply the result of reproducing a painting in large quantities. Thanks to serigraph printmaking, more people can enjoy original artwork at more reasonable prices. As Arceo puts it, “multiplicity can contribute to reaching larger audiences while subsequently making the artwork affordable or more accessible.” Amen to that, I say, as I attempt to summon the muse, staring no longer at a blank wall but El Poeta—a regular reminder of the power of the written word, of art.

“You can’t use up creativity. The more you use, the more you have.”
—Maya Angelou

‘roll the dice’

By Charles Bukowski
from What Matters Most is How Well You Walk Through the Fire

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The Madness of Art presents Reading Buk—nightly readings of selected works of Charles Bukowski—as a special series during the month of April in celebration of National Poetry Month 2009.

‘classical music and me’

By Charles Bukowski
from The Last Night of the Earth Poems

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

The Madness of Art presents Reading Buk—nightly readings of selected works of Charles Bukowski—as a special series during the month of April in celebration of National Poetry Month 2009.